Proof, not promises.
Six teams, their numbers before Skryber and after. Every figure below comes from the workspace’s own analytics export, over a full 90-day window.
How Kestrel FM went from 3 clips a week to 11 per day without hiring
Kestrel's team was cutting clips by hand and arguing about which ones to post. They moved review into Skryber's ranked clip list, let per-platform scores pick destinations, and scheduled a full week in one sitting.
“We went from three clips a week to eleven a day, with the same two people on the team.”
Every study
Six teams · 90-day windows · analytics exports on file
The Long Game stopped scrubbing two-hour tapes
Silence and filler removal cut 4 minutes an episode; the ranked clip list surfaced the 40-second moment they'd walked past for months.
Tidepool ended the “where does this clip go” argument
Per-platform scores replaced posting the same cut four times across nine client accounts. Retention climbed inside a month.
Northline handed clip review to freelancers
One ranked list, one queue, no training doc. Three contractors were shipping approved clips the same afternoon they got access.
Casetape fixed the eight-second cliff
Generated hook lines and karaoke captions on every short. Viewers stopped leaving before the payoff landed.
Rally Audio consolidated six shows into one queue
Clipping, captioning and scheduling collapsed into a single workspace, and two subscriptions were cancelled the same week.
A one-person channel ships daily shorts
Auto-crop tracks him around the set and captions land without a pass; two of his five best shorts last quarter were clips he'd never have cut.
Run one episode through Skryber and compare the numbers yourself.
No card, no export limits on the trial. Bring a two-hour recording and see what it finds.